By Gerfried Stocker, Christa Sommerer, Laurent Mignonneau
Christa Sommerer and Laurent Mignonneau are of the main cutting edge and across the world popular media artists and researchers. Their paintings has been referred to as "epoch-making" (Toshiharu Itoh, NTT-ICC Museum, Tokyo) for constructing ordinary and intuitive interfaces and for using medical rules comparable to man made lifestyles, complexity, generative structures and nanotechnologies to their leading edge interface design.
This monograph represents a finished assessment of Sommerer and Mignonneau s artwork and study. as well as supplying unique undertaking descriptions of every interactive art, it comprises essays and articles by way of hugely well-known media students and theoreticians who carry the interactive artistic endeavors of Sommerer and Mignonneau in an paintings and media artwork background perspective.
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Extra info for Christa Sommerer Laurent Mignonneau: Interactive Art Research
Such theories did nothing to change the social and institutional role of the artwork as it had been defined in the nineteenth century. It was left for the avantgardes of the early twentieth century to question its foundations. The Cubists introduced a new sense of materiality by constructing their collages from pre-existing materials, many of them with tactile qualities familiar from daily life. The readymades of Marcel Duchamp turned banal everyday objects into art in an even more decisive manner, although they were exhibited in a detached manner that ironically emulated the prevailing academic exhibition practices.
4 In this focused and evocative project, tactile and haptic communication has been reduced, and simultaneously expanded, to its essence. CHRISTINE SCHÖPF HANNES LEOPOLDSEDER The Open World of Christa & Laurent 36 Interactivity has probably been with us since the beginning of humankind. First artifacts attest to the fact. Yet as a topic, it first came into fashion sometime in the 1980s. At countless congresses on interactivity and multimedia, the industry and the media began promoting the idea and promising people the moon: imagine all the data that would be available at the push of a button in the near future!
The touchscreen and the pool may be physically connected with cables and a computer, yet there exist waterways invisible to the eye, sending the organisms born from the touchscreen out into the water. The creatures that have finished their “time” in the pool sink into the depths and disappear. According to Sommerer and Mignonneau, this means they have ended their temporary existence within the pool and have set forth for the real world. The medium is water. Water is the medium in which life was first born and began to evolve.