By Doug McClelland
The Jolson tale, a landmark Hollywood musical biography, introduced has-been blackface singer Al Jolson one among express company' nice comebacks, made a celeb of Larry Parks, the younger "B" motion picture actor who performed him, and spawned a sequel. For the 1st time, McClelland tells the tale of ways those motion pictures have been made. hence, within the anti-Communist weather of 1951 the US, Larry Parks's occupation used to be destroyed whilst he admitted he were a Communist. the tale of Parks's downfall is an immense component to the publication, as is the image portrayal of that darkish interval in American heritage. With biographical profiles of all major individuals to the Jolson sagas and plenty of infrequent photographs.
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Extra resources for Blackface to Blacklist
Recuperating, he becomes captivated by the teasingly no-nonsense manner, Arkansas drawl and, of course, that pretty baby face of the young nurse who has never heard Al Jolson sing. Trying to get her patient to relax, she relates that back home the pigs never rush around, except maybe when they see a plane or a hawk. " (These six words were also once recorded as rival Hollywood mogul Samuel Goldwyn's exact comment about Columbia's boss and life-long Jolson devotee Harry Cohn. " Although apprehensive about the difference in their ages, he is marriage-minded and Ellen encourages him: "I don't see what difference years make.
I was a standby act, in case one of the biggies didn't show. Jack Benny had been on, so had Eddie Cantor. Everybody. Then Jolson came on. Immediately he got rid of the mike, and sent the forty-piece orchestra home, keeping only his pianist, Harry Akst. "Jolie's here," he said. " He was on forty minutes they wouldn't let him go.
As a surprise for Jolson, his parents fly out to celebrate their wedding anniversary with their son. Another arrival is Tom Baron, who says he has a new show that would be right for the restless but still inactive Jolson. " He coaxes the musically abstaining Jolson to sing with him, then Papa dances with Mama while a vivified Jolson completes the song. " He does "Waiting for the Robert E. Lee" while Julie watches with a sad smile. When the audience cries "More! " In the throes of song, Jolson's visage is superimposed over those of the transfixed spectators.